Gorgo (film)

Gorgo is a 1961 British science fiction monster film directed by Eugène Lourié. The film focuses on Gorgo, an ancient large sea monster brought back to London for exploitation, and his even larger mother, who rampages across London to search for him. The film was featured in an episode of the cult movie-mocking television show Mystery Science Theater 3000.

Plot
Captain Joe Ryan is salvaging for treasure off the coast of Ireland, when a volcano erupts, nearly sinking his ship. Ryan and his first officer, Sam Slade, take the ship to Nara Island for repairs. As they enter harbour, they discover the floating carcasses of marine animals, the first hint that something dangerous was awoken by the volcano eruption.

Ryan and Slade consult the harbour master, who also has archaeological pretensions: he has been salvaging in the harbour. Some of his men have disappeared mysteriously; it turns out that one has died of fear. After dark, a monstrous creature surfaces, attacks a group of fishermen, then comes ashore to wreak havoc on the island. This dinosaur-like creature is supposedly 65 feet tall. The people of the island finally drive it off.

Ryan and his crew manage to capture the monster and haul it aboard their ship, tying it to the deck. Soon, university scientists arrive on Nara, hoping to collect the monster for study, but Ryan has been offered a better deal by the owner of a circus in London. When the ship arrives in London, the circus owner names it "Gorgo", after the iconic snake-haired woman, Medusa. It is exhibited to the public in Battersea Park.

The scientists examine Gorgo, and conclude that he is not yet an adult, and that his mother must be at least 200 feet tall. On that note of foreboding, we cut to Nara Island as Ogra, the mother of Gorgo, attacks. Ogra trashes the island, sinks a Royal Navy vessel, and resists attack from other warships. Later, Ogra comes ashore in London, still looking for her son, and goes on a rampage, despite being bombarded by tanks and infantry. Jets attack Ogra, but with no effect. Having demolished much of London, Ogra rescues Gorgo, and both mother and son return to the sea.

Cast

 * Bill Travers as Captain Joe Ryan
 * William Sylvester as Sam Slade
 * Vincent Winter as Sean
 * Christopher Rhodes as McCartin
 * Joseph O'Conor as Professor Hendricks
 * Bruce Seton as Professor Flaherty
 * Martin Benson as Dorkin
 * Basil Dignam as Admiral Brooks
 * Mick Dillon as Gorgo

Production
The film was originally intended to be set in Japan as a homage to Godzilla; the setting was then changed to France, and then finally changed to the British Isles. According to Bill Warren's film book Keep Watching the Skies, southern Australia was also considered for a locale, but the producers supposedly decided that audiences "wouldn't care" if a monster attacked Australia; its alleged lack of worldwide recognisable landmarks for Gorgo to destroy was also cited as a consideration.

The location where Gorgo first appears, the fictional Nara Island, is probably a tribute to the Godzilla series; Nara being a historical period of Japan: alternatively, it may be an anagram for the Aran Islands, off Ireland's west coast. The exterior scenes set in Ireland were filmed at Bulloch Harbour and Coliemore Harbour, both near the County Dublin town of Dalkey. Other scenes were filmed at the MGM-British Studios in Borehamwood, Hertfordshire.[2]

Scenes where Gorgo is driven through the streets of London were shot on a Sunday morning when there was no traffic. The film studio wanted Gorgo to fight the military despite director Eugène Lourié's objections. Later, Lourié acquired a print of the film and removed the footage.[citation needed]

Gorgo's special effects were achieved by suitmation and miniaturisation, a technique pioneered in the Godzilla films. The younger Gorgo was smaller than usual giant monsters so the sets around him were built to a larger scale leading to a greater sense of realism and believability. The creatures were also shot with then-pricey slow-motion cameras to create a sense of scale. The effects were complex and are well respected by special effects artists and fans. The film is also sometimes praised for its innovative ending, which seems to have an environmentalist moral. Unusually for such films, the monsters, which are presented as innocent victims of human interference, survive and prevail.